The marriage of 47-year-old American teacher Merrilee Kick was coming to an end, and she realized that with a teacher’s salary and a mortgage, she would not be able to cover her living expenses on her own. She needed a side job. To the delight of consumers around the world (especially middle-aged women, who were her primary audience), she decided to start her own business – cocktails. Although her idea was brilliant, as what middle-aged woman wouldn’t want to treat herself to a fine, conveniently packaged cocktail at the end of a tiring workday, banks remained unimpressed until she offered her mother’s ranch cows and, of course, the house she lived in as collateral.
The first line of cocktails, named BuzzBall (the cocktails are packaged in round plastic bottles because her inspiration was a snow globe she brought back as a souvenir from her travels), was launched in 2009, and despite a rocky start, demand exploded. In early 2022, the company was acquired by Sazerac for an incredible half a billion dollars, and founder Kick made it to 89th place on the list of the hundred richest self-made female millionaires in the U.S. In January of last year, Kick and her family exited the ownership structure, and in the meantime, the value of BuzzBall skyrocketed to one billion dollars. Interestingly, the colorful balls filled with cocktails, which cannot look more trashy and toxic than they do, attracted a younger audience, Generation Z, who promote them on social media platforms in droves.
This success story signals a shift in the market and the blossoming popularity of the so-called ready-to-drink (RTD) beverage category, a mix of alcoholic drinks that is most commonly marketed in cans. Recent data shows that while many brands in the alcoholic beverage world are playing the premiumization card (drink less, but better), in reality, businesses like BuzzBall are thriving without caring about the premium impression; they are practical, cheap, but also of decent quality.
Sudden Turnaround
Emma Thompson, a researcher at the Institute of Alcohol Studies (IAS) and a doctoral student in public health policy at the University of Edinburgh, published an interesting analysis of this trend on the IAS website. As she noted, premiumization has dominated the global alcohol industry for at least the last two decades. In other words, the business strategy of producers has been to encourage consumers to move up a level, to buy smaller quantities of more expensive, higher quality, or craft products instead of cheaper ones. Industry organizations, such as spiritsEUROPE, have linked this strategy to public health efforts to reduce the harmful consequences of alcohol consumption. If one looks at the business reports and those intended for shareholders of any of the major alcohol producers, Thompson writes, one will very likely find references to premiumization that promotes long-term growth in the spirits category, as consumers want to drink better, not more.
This, she continues, can be found in Diageo’s and AB InBev’s reports, and this focus on premium products has been cited as one of the reasons why Pernod Ricard sold its portfolio of cheaper wines. However, while major brands explain revenue growth precisely by the desire of customers to drink better (which is also the reason many craft brands have succeeded), there are indications that this long-standing trend may be changing.
