Alessandro Michele, one of the most esteemed names in the fashion world and, officially, the most profitable creative director of the Gucci brand, has decided to leave his position due to ‘differences in perspectives’. Unofficially, the heads of the parent company Kering were displeased that Gucci was stagnating, especially after the pandemic year of 2020, and they asked Michele to make a creative turnaround; to offer more wearable, classic pieces with a focus on quality craftsmanship.
The creative did not want to compromise his style, adapting his vision to one that, according to financial directors, brings in more dollars, so he decided to pack his bags and leave the company where he had spent a full twenty years, the last eight as creative director.
The outcome of this story has shocked the fashion world and raised a series of questions such as where is the line between art and creativity that is solely subordinated to profit (because Gucci is not Shein, which measures success almost in kilograms of sold goods), but also why such an ultimatum was given specifically to Michele, the man who revived Gucci from the dead and brought them a billion dollars in profit every year. It is also worth mentioning that the company’s sales have not fallen but stagnated, influenced by a number of factors that do not necessarily relate to the quality of Michele’s creations. Is it a matter of greed or has the audience truly grown tired of Michele?
Innovator of Gucci
Most expert media agree that it is the former. Namely, Alessandro Michele was once hired by Tom Ford, and then worked as a designer in the accessories segment while Gucci’s creative helm was in the hands of Frida Giannini.
After she left the company in 2015, Gucci’s CEO Marco Bizzarri (who, by the way, has also left the brand) hired him as creative director. Michele has currently brought a breath of fresh air to the brand, and although the first collection was criticized, sales results showed that with his eclectic style, wealth of colors, textures, and unusual combinations, a fusion of new and vintage, he managed to attract the fashion ‘golden goose’ – the younger generation of consumers.
