Do not waste your mistakes. When you make a mistake, it’s easy to fall into a vortex of shame and guilt for having done something wrong, but instead, take a critical stance and let your mistake become a step towards deeper learning – these were the words of actor, entrepreneur, and recently a marketing wizard Ryan Reynolds, directed at the audience at the prestigious Cannes Lions festival, sharing his marketing experience that began when he decided to sell the idea of the comedic superhero Deadpool to Hollywood producers (and it lasted a full ten years!).
With a minimal budget (Reynolds claims they received almost nothing), the actor and his business partner had to work miracles: promote the film, make it interesting to the audience, and instead of relying on effects, build the story on character. Reynolds and his team deeply believed in the success of the story, took the initiative, and truly created a blockbuster that entered the annals of Hollywood production. With that, as he says, sweet profit, Reynolds bought a stake in Aviators Gin and then devised a campaign for that alcoholic brand.
He founded the digital marketing agency Maximum Effort (which he sold to MNTM last year) and now sits as the chief creative officer with a portfolio of clients that includes brands like Mint Mobile and Peloton. Although Beautiful Croatia is far from Hollywood, the story of his success and market approach symbolically aligns with the position of local marketing professionals in these modern times. As the marketing paradigm has changed – consumers are demanding more, better, stronger, more diverse, sustainable, and transparent – local creatives need to be a bit Reynolds (but also superhero Deadpool), take the initiative, believe in the idea, and with a smaller budget and more courage, step outside conventional boundaries and offer customers a story with character.
Eliminating Intermediaries
It would be desirable to innovate and one’s own work processes, seeking new sources of knowledge and inspiration, involving new faces and professions in creative creation. And that, again, like Reynolds who presented his latest project at Cannes – Creative Ladder – a non-profit organization in collaboration with Deloitte that provides talents from various (and underrepresented) groups in society the opportunity to showcase what they know and can do. When it comes to the domestic market, Igor Crnčić, managing partner at the agency Produkt, part of Val Group, described the current market situation as a bit more apocalyptic. And literally.
As he stated, the dinosaurs are creative, branding, and service agencies, digital agencies, media planning and buying agencies, public relations agencies, event organizing agencies, market research agencies that are trying to adapt to the new environment shaped by the pandemic, natural disasters, war, the trend of The Great Resignation, the emergence of new, young, cool players in the market, hitting wherever and whoever they can. At the same time, they face challenges such as the search for new staff and talents willing to learn, representing a generation of content creators who have taught agencies a lesson about virality, content, and influencer marketing.
– Global brands are also developing their own in-house creative agencies under the slogan ‘Let’s eliminate the middleman!’ and thus create a larger volume of content, while aware generations of consumers do not want to communicate/purchase/collaborate with companies that negatively impact the environment. Although it sounds like we are currently in a post-apocalyptic jungle created by some American filmmaker, this confirms that Darwinian theory of survival of the fittest, the bravest, the most resourceful, and those who adapt fastest to the new situation – Crnčić noted, adding that this drives agencies to change their business paradigm, improve services, but also the portfolio of different employee profiles.
Knowledge is the Only Currency
On the other hand, by applying this approach, clients are trying to consolidate their marketing budgets, turning agencies into partners and ensuring better efficiency/consistency of the messages they want to convey. When these trends trickle down to the level of everyday business, Crnčić notes that (especially since the pandemic) there are more project activities, production of long-form content, and personalized products.
– In short, everything has accelerated significantly, deadlines are becoming shorter, and projects more challenging. This is best noticed this year: while before you could strategically arrange activities according to seasonal peaks and almost surgically plan resources and timings, today that is almost impossible – Crnčić noted.
For the agency Produkt, specifically, the pandemic showed that the only currency you can count on is knowledge – and therefore it invested in employee knowledge and in the last year developed an interdisciplinary team of individuals who initially had no contact with the agency world, but whose skills and knowledge complement each other.
– Thus, we have actually empowered the team with people who can synergistically complement their specific knowledge on project tasks. This has provided clients with stronger agency support – Crnčić said.
