Industrial heritage in Croatia is a victim of weak oversight, corruption within local government, the absence of an independent expert body for the evaluation and protection of heritage, superficial and short-term spatial planning, and slow application of laws…
Written by: Goran Arčabić
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The collapse of residential and commercial buildings in recent weeks, accompanying works at a dozen construction sites in Zagreb, has once again raised the question of responsibility among investors, contractors, relevant city offices, and supervisory services. The devastation of part of the former Nada Dimić knitwear factory, caused by the construction of an underground garage for the future business center owned by Željko Kerum, should be highlighted as a glaring example of neglect and irresponsible behavior towards industrial heritage.
Namely, the factory complex where Nada Dimić operated after World War II was originally built in 1910 for the company Edmund Moster and Drug, which produced graphite mechanical pencils according to the patent of inventor Slavoljub Penkala. The factory was designed in 1909 by the Zagreb architectural studio Hönigsberg and Deutsch, and its current appearance is essentially an extension and modification according to the project of Rudolf Lubynski from 1919. Even disregarding the fact that the production and auxiliary buildings are the work of some of the greatest names in Croatian architecture, there remains an irrefutable argument for why this unique industrial complex should be preserved for the future. It is, in fact, a factory that, except for the German market where it had its own branch, was the first in the world to serially produce the mechanical Penkala pencil – a product that should become one of the recognizable Croatian brands. Given that the factory at Branimirova Street 43 is a protected cultural monument, the location permit issued by the relevant city office in 2005 envisages the reconstruction and repurposing of the street and the reconstruction, extension, and repurposing of the courtyard business building, rather than their demolition.
Not wanting to speculate on whether the construction works within the factory complex, which led to its partial collapse, were carried out intentionally or not, one must ask whether the contractor would have acted with the same negligence and carelessness if it were, for example, the construction of an underground garage beneath Zagreb Cathedral or the Croatian National Theatre. Certainly not, because in that case, due to public pressure, the relevant institutions would have reacted promptly. The event from two weeks ago is just the latest in a series of damages or complete devastation of industrial heritage sites in the City of Zagreb. When the Lipa Mill factory was demolished in the summer of 2006 in just over a month to make way for a mixed-use business-residential complex, the media merely noted a new business venture by the Heruc group. The last trace of nearly a century-long tradition of paper goods production vanished without a trace. The City Institute for the Protection of Cultural Monuments and Nature did not find it appropriate to react, as according to existing criteria, the building was not evaluated as a protected object.
Post festum, the advertising slogan ‘we free space for the new’ on the website of a construction company from Vinkovci sounds ironic, as it cites the demolition and removal of the former Lipa Mill factory as an important reference, successfully completed in just 38 working days! Early industrial buildings in urban centers are generally located in areas attractive for the construction of business and residential zones, so financial interests often take precedence over heritage, which is generally contributed to by the logic of quick profit in considering their future. However, ruthless investors and construction contractors are not the only culprits for such a state. Industrial heritage in Croatia is a victim of weak oversight, corruption within the local government system in the application of construction legislation, the absence of an independent relevant expert body for the evaluation and protection of heritage, superficial and short-term spatial planning, lack of transparency in the implementation of urban plans, uninventive architectural designs, and principled and slow application of laws.
Unresolved ownership relations result in neglect or architectural changes to authentic objects completely beyond the control of conservators. Hence, the main obstacle to sustainability arises from insufficient awareness of the need to preserve industrial heritage as part of our economic history and urban identity, as well as its developmental potentials, resulting in a lack of interest and concrete ideas. The City of Zagreb, where all the aforementioned problems are clearly visible, is not an isolated case but an example of the established pattern in which industrial heritage is treated in Croatia. Three protected industrial historical units registered in the Register of Cultural Goods of the Republic of Croatia are undoubtedly the most valuable part of Zagreb’s industrial heritage. However, their condition and prospects largely depend on the will of the city authorities. According to the amendments to the General Urban Plan from 2006, the repurposing of ‘old industry’ is defined as an area and theme of city projects, for which the relevant city offices for spatial planning, strategic planning and development, and for the protection of cultural monuments should provide guidelines for future contents at selected locations.